Sometimes you don’t need to spend the earth to get great software. Wer Ihn noch nicht kennt, sollte das ganz schnell nachholen!! Neve now offer several variations of the 1073 but the latest, launched to mark its 50th birthday, is like no other: with the eight-channel, rackmounting 1073OPX, Neve have reinvented the 1073 to suit modern DAW-based workflows, and to that end, it boasts remote-controllable preamps, stereo monitoring facilities, and an optional digital interface card. The electronic-guitar band explain the DIY production of new album Glowing in the Dark, synth option panic and why they always keep everything set up. By way of comparison, I captured repeat performances using the same mic in the same position while swapping the 1073 forour reference Early Bird valve preamp, a channel of our DDA console and our recently built Hairball Audio Lola. : Montreal, QC. The world’s most famous console preamp and EQ continues to evolve to meet the needs of the modern studio. The DDA recording was clean and a little clinical, with little of the Neve’s big-hearted character, while the Lola – a 1073-inspired design – gave a decent approximation of the classic Neve sound, but couldn’t quite match the real thing, lacking a touch of body and focus. A peep inside the case reveals the usual high standard of internal construction by Neve, and traditional components such as Marinair transformers alongside more modern surface-mount devices. 00. View 1 offers. £1,299. Your musical background. Other, less expensive units get close to the 1073’s legendary sound but only Neve offer the real deal, the genuine sound resulting from the exclusive use of Marinair transformers unavailable to copyists. Designed by Neve’s highly skilled engineers, the team includes John Turner and Robin Porter, both of whom have been with the company for decades. Like the DPX model, the rear panel features the coaxial 48V DC power input socket and (500mA) fuse-holder (but no cable clamp), a male XLR for the transformer-balanced line output, two female XLRs for the (transformer-balanced) line and mic inputs, and a pair of quarter-inch TRS sockets for the balanced insert send and return connections. The new 1073 SPX could never be described as dull, rather, it has an almost supernatural ability to bring recordings to life, all the more important in the modern era of digital recording. Be the first to know when one is listed: Follow this Product. Microphone Preamps. Designed and built in England, the modern-day 1073SPX is produced to the exact specifications of the original with matched components to ensure the sound remains true. Dropping the unit’s impedance to 300 Ohms, a Shure SM57 used as a spot mic on a snare drum produced a suitably ‘phat’ sound, with added crispness provided by a 7.2kHz lift. Then there are two dual preamp-only models (lacking EQ) called the 1073 DPA and 1073 DPD (the latter with an integral A-D converter), and a 500-series version split across two modules, with the preamp stage in one and the EQ section in a second (1073 LB and 1073 LBEQ, respectively). The High-band provides +/-16dB of shelving equalisation fixed at 12kHz, while the Mid-band offers +/-18dB of peaking EQ with a variety of frequencies centered on 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz. Analogue Microphone Preamp and EQ Mono, Transformer-balanced inputs and outputs, Based on the well-known Class A amplifier, Legendary Neve sound, Build: 1 U / 19" De AMS Neve 1073SPX is voorzien van een Neve 1073® Class A design microfoon voorversterker met 3-band EQ (vaste RF plus twee schakelbare banden met snij/versterkingsfunctie) en een hoogdoorlaat filter. The classic Neve 1073 input module was designed for a bespoke mixing console called the A88, built for Wessex Studios (which, sadly, is now long gone!) The AMS Neve 1073SPX features a Neve 1073® Class A design microphone preamplifier with 3-band EQ (fixed RF plus two switchable bands with cut/boost function) and high-pass filter.
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